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  • Trillium Lake south of Mount Hood with view of the mountain, two people in a canoe on the lake
    TrilliumLakeBlueCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two people in a canoe on the lake
    TrilliumLakeBlueCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two fishermen in a canoe on the lake.<br />
.....<br />
Trillium Lake is a lake situated 7.5 miles south-southwest of Mount Hood in the U.S. state of Oregon. It is formed by a dam at the headwaters of Mud Creek, tributary to the Salmon River. It was created by the state Department of Fish and Wildlife in 1960. The area which is now the lake was part of the Barlow Road, a component of the Oregon Trail. A log road across marshes allowed immigrants to pass to Summit Meadow, which was a toll station 1866—1870. Trillium is a genus of flowers particularly noticeable in the area. The lake is popular for fishing, camping and photography, often clearly reflecting Mount Hood. Adjacent Trillium Lake Campground is administered by the Zigzag Ranger District of the Mount Hood National Forest. The large campground features a seasonal boat ramp and wheelchair-accessible floating dock. The lake is a very popular Nordic skiing destination from a trailhead across U.S. Route 26 from Snow Bunny. Some resources note its popularity on afternoons and weekends.
    TrilliumLakeRedCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two people in a canoe on the lake
    TrilliumLakeBlueCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two people in a canoe on the lake
    TrilliumLakeBlueCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two people in a canoe on the lake
    TrilliumLakeBlueCanoe1.jpg
  • Mount Hood, called Wy'east by the Multnomah tribe, is a stratovolcano in the Cascade Volcanic Arc of northern Oregon. It was formed by a subduction zone and rests in the Pacific Northwest region of the United States. It is located about 50 miles (80 km) east-southeast of Portland, on the border between Clackamas and Hood River counties. In addition to being Oregon's highest mountain, it is one of the loftiest mountains in the nation based on its prominence.
    MountHoodPeakWinter2.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two fishermen in a canoe on the lake.<br />
.....<br />
Trillium Lake is a lake situated 7.5 miles south-southwest of Mount Hood in the U.S. state of Oregon. It is formed by a dam at the headwaters of Mud Creek, tributary to the Salmon River. It was created by the state Department of Fish and Wildlife in 1960. The area which is now the lake was part of the Barlow Road, a component of the Oregon Trail. A log road across marshes allowed immigrants to pass to Summit Meadow, which was a toll station 1866—1870. Trillium is a genus of flowers particularly noticeable in the area. The lake is popular for fishing, camping and photography, often clearly reflecting Mount Hood. Adjacent Trillium Lake Campground is administered by the Zigzag Ranger District of the Mount Hood National Forest. The large campground features a seasonal boat ramp and wheelchair-accessible floating dock. The lake is a very popular Nordic skiing destination from a trailhead across U.S. Route 26 from Snow Bunny. Some resources note its popularity on afternoons and weekends.
    TrilliumLakeRedCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two people in a canoe on the lake
    TrilliumLakeBlueCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two fishermen in a canoe on the lake.<br />
.....<br />
Trillium Lake is a lake situated 7.5 miles south-southwest of Mount Hood in the U.S. state of Oregon. It is formed by a dam at the headwaters of Mud Creek, tributary to the Salmon River. It was created by the state Department of Fish and Wildlife in 1960. The area which is now the lake was part of the Barlow Road, a component of the Oregon Trail. A log road across marshes allowed immigrants to pass to Summit Meadow, which was a toll station 1866—1870. Trillium is a genus of flowers particularly noticeable in the area. The lake is popular for fishing, camping and photography, often clearly reflecting Mount Hood. Adjacent Trillium Lake Campground is administered by the Zigzag Ranger District of the Mount Hood National Forest. The large campground features a seasonal boat ramp and wheelchair-accessible floating dock. The lake is a very popular Nordic skiing destination from a trailhead across U.S. Route 26 from Snow Bunny. Some resources note its popularity on afternoons and weekends.
    TrilliumLakeRedCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two people in a canoe on the lake
    TrilliumLakeBlueCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two fishermen in a canoe on the lake.<br />
.....<br />
Trillium Lake is a lake situated 7.5 miles south-southwest of Mount Hood in the U.S. state of Oregon. It is formed by a dam at the headwaters of Mud Creek, tributary to the Salmon River. It was created by the state Department of Fish and Wildlife in 1960. The area which is now the lake was part of the Barlow Road, a component of the Oregon Trail. A log road across marshes allowed immigrants to pass to Summit Meadow, which was a toll station 1866—1870. Trillium is a genus of flowers particularly noticeable in the area. The lake is popular for fishing, camping and photography, often clearly reflecting Mount Hood. Adjacent Trillium Lake Campground is administered by the Zigzag Ranger District of the Mount Hood National Forest. The large campground features a seasonal boat ramp and wheelchair-accessible floating dock. The lake is a very popular Nordic skiing destination from a trailhead across U.S. Route 26 from Snow Bunny. Some resources note its popularity on afternoons and weekends.
    TrilliumLakeRedCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two people in a canoe on the lake
    TrilliumLakeBlueCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two people in a canoe on the lake
    TrilliumLakeBlueCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two fishermen in a canoe on the lake.<br />
.....<br />
Trillium Lake is a lake situated 7.5 miles south-southwest of Mount Hood in the U.S. state of Oregon. It is formed by a dam at the headwaters of Mud Creek, tributary to the Salmon River. It was created by the state Department of Fish and Wildlife in 1960. The area which is now the lake was part of the Barlow Road, a component of the Oregon Trail. A log road across marshes allowed immigrants to pass to Summit Meadow, which was a toll station 1866—1870. Trillium is a genus of flowers particularly noticeable in the area. The lake is popular for fishing, camping and photography, often clearly reflecting Mount Hood. Adjacent Trillium Lake Campground is administered by the Zigzag Ranger District of the Mount Hood National Forest. The large campground features a seasonal boat ramp and wheelchair-accessible floating dock. The lake is a very popular Nordic skiing destination from a trailhead across U.S. Route 26 from Snow Bunny. Some resources note its popularity on afternoons and weekends.
    TrilliumLakeRedCanoe1.jpg
  • Trillium Lake south of Mount Hood with view of the mountain, two people in a canoe on the lake
    TrilliumLakeBlueCanoe2.jpg
  • Mount Hood, called Wy'east by the Multnomah tribe, is a stratovolcano in the Cascade Volcanic Arc of northern Oregon. It was formed by a subduction zone and rests in the Pacific Northwest region of the United States. It is located about 50 miles (80 km) east-southeast of Portland, on the border between Clackamas and Hood River counties. In addition to being Oregon's highest mountain, it is one of the loftiest mountains in the nation based on its prominence.
    MtHood1.jpg
  • Mount Hood, called Wy'east by the Multnomah tribe, is a stratovolcano in the Cascade Volcanic Arc of northern Oregon. It was formed by a subduction zone and rests in the Pacific Northwest region of the United States. It is located about 50 miles (80 km) east-southeast of Portland, on the border between Clackamas and Hood River counties. In addition to being Oregon's highest mountain, it is one of the loftiest mountains in the nation based on its prominence.
    MountHoodPeakWinter1.jpg
  • Mount Hood, called Wy'east by the Multnomah tribe, is a stratovolcano in the Cascade Volcanic Arc of northern Oregon. It was formed by a subduction zone and rests in the Pacific Northwest region of the United States. It is located about 50 miles (80 km) east-southeast of Portland, on the border between Clackamas and Hood River counties. In addition to being Oregon's highest mountain, it is one of the loftiest mountains in the nation based on its prominence.
    MtHoodTimberline1.jpg
  • The Icelandic horse is a breed of horse developed in Iceland. Although the horses are small, at times pony-sized, most registries for the Icelandic refer to it as a horse. Icelandic horses are long-lived and hardy. In their native country they have few diseases; Icelandic law prevents horses from being imported into the country and exported animals are not allowed to return. The Icelandic displays two gaits in addition to the typical walk, trot, and canter/gallop commonly displayed by other breeds. The only breed of horse in Iceland, they are also popular internationally, and sizable populations exist in Europe and North America. The breed is still used for traditional sheepherding work in its native country, as well as for leisure, showing, and racing.<br />
<br />
Developed from ponies taken to Iceland by Norse settlers in the 9th and 10th centuries, the breed is mentioned in literature and historical records throughout Icelandic history; the first reference to a named horse appears in the 12th century. Horses were venerated in Norse mythology, a custom brought to Iceland by the country's earliest settlers. Selective breeding over the centuries has developed the breed into its current form. Natural selection has also played a role, as the harsh Icelandic climate eliminated many horses through cold and starvation. In the 1780s, much of the breed was wiped out in the aftermath of a volcanic eruption at Laki. The first breed society for the Icelandic horse was created in Iceland in 1904, and today the breed is represented by organizations in 19 different nations, organized under a parent association, the International Federation of Icelandic Horse Associations.
    IcelandHorses2.jpg
  • The Nancy Lee and Perry R. Bass Performance Hall in Fort Worth, Texas is located in downtown Fort Worth near Sundance Square, occupies a whole city block, and was opened in 1998. It was built entirely with private funds and seats 2,056 people in a city with an estimated 2009 population of 720,250. It is regarded as an important symbol of one of the most successful downtown revitalization efforts in the country. The European opera house-inspired limestone structure has been called the "crown jewel of downtown Fort Worth".<br />
It was designed by David M. Schwarz/Architectural Services, Inc. and is characteristic of the classic European opera house form. An 80-foot-diameter (24 m) Great Dome, artfully painted by Scott and Stuart Gentling, tops the Founders Concert Theater. Two 48-foot-tall (15 m) angels sculpted by Marton Varo from Texas limestone grace the Grand Façade. The Hall's acoustics were designed and implemented by JaffeHolden Acoustics, Inc. of Norwalk, CT.<br />
The Hall itself is renowned for its superb acoustics, exceptional sightlines and ambience on level with the great halls of the world. In fact, in an article by Daniel March in the March 1999 issue of Travel and Leisure magazine, it is described as “the newest star in the opera-house firmament…. Two giant, hand-carved trumpet-playing angels on the façade announce its welcome presence in the middle of downtown and, although surmounted by a dome that appears to float over trompe l'oeil clouds (built in) a mixture of Beaux-Arts and Vienna Secessionist styles”.<br />
Built as a multi-purpose facility, the Hall is able to house symphony, ballet, opera, stage, musicals, and rock concerts and it is now the permanent home to the Fort Worth Symphony Orchestra, Texas Ballet Theater, Fort Worth Opera, and the Van Cliburn International Piano Competition and Cliburn Concerts. Performing Arts Fort Worth, which manages the Hall, also hosts its own performances here, including national touring Broadway productions and a fami
    FortWorthAngels1.jpg
  • The Nancy Lee and Perry R. Bass Performance Hall in Fort Worth, Texas is located in downtown Fort Worth near Sundance Square, occupies a whole city block, and was opened in 1998. It was built entirely with private funds and seats 2,056 people in a city with an estimated 2009 population of 720,250. It is regarded as an important symbol of one of the most successful downtown revitalization efforts in the country. The European opera house-inspired limestone structure has been called the "crown jewel of downtown Fort Worth".<br />
It was designed by David M. Schwarz/Architectural Services, Inc. and is characteristic of the classic European opera house form. An 80-foot-diameter (24 m) Great Dome, artfully painted by Scott and Stuart Gentling, tops the Founders Concert Theater. Two 48-foot-tall (15 m) angels sculpted by Marton Varo from Texas limestone grace the Grand Façade. The Hall's acoustics were designed and implemented by JaffeHolden Acoustics, Inc. of Norwalk, CT.<br />
The Hall itself is renowned for its superb acoustics, exceptional sightlines and ambience on level with the great halls of the world. In fact, in an article by Daniel March in the March 1999 issue of Travel and Leisure magazine, it is described as “the newest star in the opera-house firmament…. Two giant, hand-carved trumpet-playing angels on the façade announce its welcome presence in the middle of downtown and, although surmounted by a dome that appears to float over trompe l'oeil clouds (built in) a mixture of Beaux-Arts and Vienna Secessionist styles”.<br />
Built as a multi-purpose facility, the Hall is able to house symphony, ballet, opera, stage, musicals, and rock concerts and it is now the permanent home to the Fort Worth Symphony Orchestra, Texas Ballet Theater, Fort Worth Opera, and the Van Cliburn International Piano Competition and Cliburn Concerts. Performing Arts Fort Worth, which manages the Hall, also hosts its own performances here, including national touring Broadway productions and a fami
    BassPerformanceHall1.jpg
  • The Icelandic horse is a breed of horse developed in Iceland. Although the horses are small, at times pony-sized, most registries for the Icelandic refer to it as a horse. Icelandic horses are long-lived and hardy. In their native country they have few diseases; Icelandic law prevents horses from being imported into the country and exported animals are not allowed to return. The Icelandic displays two gaits in addition to the typical walk, trot, and canter/gallop commonly displayed by other breeds. The only breed of horse in Iceland, they are also popular internationally, and sizable populations exist in Europe and North America. The breed is still used for traditional sheepherding work in its native country, as well as for leisure, showing, and racing.<br />
<br />
Developed from ponies taken to Iceland by Norse settlers in the 9th and 10th centuries, the breed is mentioned in literature and historical records throughout Icelandic history; the first reference to a named horse appears in the 12th century. Horses were venerated in Norse mythology, a custom brought to Iceland by the country's earliest settlers. Selective breeding over the centuries has developed the breed into its current form. Natural selection has also played a role, as the harsh Icelandic climate eliminated many horses through cold and starvation. In the 1780s, much of the breed was wiped out in the aftermath of a volcanic eruption at Laki. The first breed society for the Icelandic horse was created in Iceland in 1904, and today the breed is represented by organizations in 19 different nations, organized under a parent association, the International Federation of Icelandic Horse Associations.
    IcelandHorse1.jpg
  • Totem poles are monumental sculptures carved on poles, posts, or pillars with symbols or figures made from large trees, mostly western red cedar, by indigenous peoples of the Pacific Northwest coast of North America (northwestern United States and Canada's western province, British Columbia). The word totem derives from the Algonquian (most likely Ojibwe) word odoodem [oˈtuːtɛm], "his kinship group". The carvings may symbolize or commemorate cultural beliefs that recount familiar legends, clan lineages, or notable events. The poles may also serve as functional architectural features, welcome signs for village visitors, mortuary vessels for the remains of deceased ancestors, or as a means to publicly ridicule someone. Given the complexity and symbolic meanings of totem pole carvings, their placement and importance lies in the observer's knowledge and connection to the meanings of the figures.<br />
<br />
Totem pole carvings were likely preceded by a long history of decorative carving, with stylistic features borrowed from smaller prototypes. Eighteenth-century explorers documented the existence of decorated interior and exterior house posts prior to 1800; however, due to the lack of efficient carving tools, sufficient wealth, and leisure time to devote to the craft, the monumental poles placed in front of native homes along the Pacific Northwest coast probably did not appear in large numbers until the late eighteenth or early nineteenth century. Trade and settlement initially led to the growth of totem pole carving, but governmental policies and practices of acculturation and assimilation sharply reduced totem pole production by the end of nineteenth century. Renewed interest from tourists, collectors, and scholars in the 1880s and 1890s helped document and collect the remaining totem poles, but nearly all totem pole making had ceased by 1901. Twentieth-century revivals of the craft, additional research, and continued support from the public have helped establish new interes
    StanleyParkTotems1.jpg
  • The Nancy Lee and Perry R. Bass Performance Hall in Fort Worth, Texas is located in downtown Fort Worth near Sundance Square, occupies a whole city block, and was opened in 1998. It was built entirely with private funds and seats 2,056 people in a city with an estimated 2009 population of 720,250. It is regarded as an important symbol of one of the most successful downtown revitalization efforts in the country. The European opera house-inspired limestone structure has been called the "crown jewel of downtown Fort Worth".<br />
It was designed by David M. Schwarz/Architectural Services, Inc. and is characteristic of the classic European opera house form. An 80-foot-diameter (24 m) Great Dome, artfully painted by Scott and Stuart Gentling, tops the Founders Concert Theater. Two 48-foot-tall (15 m) angels sculpted by Marton Varo from Texas limestone grace the Grand Façade. The Hall's acoustics were designed and implemented by JaffeHolden Acoustics, Inc. of Norwalk, CT.<br />
The Hall itself is renowned for its superb acoustics, exceptional sightlines and ambience on level with the great halls of the world. In fact, in an article by Daniel March in the March 1999 issue of Travel and Leisure magazine, it is described as “the newest star in the opera-house firmament…. Two giant, hand-carved trumpet-playing angels on the façade announce its welcome presence in the middle of downtown and, although surmounted by a dome that appears to float over trompe l'oeil clouds (built in) a mixture of Beaux-Arts and Vienna Secessionist styles”.<br />
Built as a multi-purpose facility, the Hall is able to house symphony, ballet, opera, stage, musicals, and rock concerts and it is now the permanent home to the Fort Worth Symphony Orchestra, Texas Ballet Theater, Fort Worth Opera, and the Van Cliburn International Piano Competition and Cliburn Concerts. Performing Arts Fort Worth, which manages the Hall, also hosts its own performances here, including national touring Broadway productions and a fami
    FortWorthAngels2.jpg
  • The Nancy Lee and Perry R. Bass Performance Hall in Fort Worth, Texas is located in downtown Fort Worth near Sundance Square, occupies a whole city block, and was opened in 1998. It was built entirely with private funds and seats 2,056 people in a city with an estimated 2009 population of 720,250. It is regarded as an important symbol of one of the most successful downtown revitalization efforts in the country. The European opera house-inspired limestone structure has been called the "crown jewel of downtown Fort Worth".<br />
It was designed by David M. Schwarz/Architectural Services, Inc. and is characteristic of the classic European opera house form. An 80-foot-diameter (24 m) Great Dome, artfully painted by Scott and Stuart Gentling, tops the Founders Concert Theater. Two 48-foot-tall (15 m) angels sculpted by Marton Varo from Texas limestone grace the Grand Façade. The Hall's acoustics were designed and implemented by JaffeHolden Acoustics, Inc. of Norwalk, CT.<br />
The Hall itself is renowned for its superb acoustics, exceptional sightlines and ambience on level with the great halls of the world. In fact, in an article by Daniel March in the March 1999 issue of Travel and Leisure magazine, it is described as “the newest star in the opera-house firmament…. Two giant, hand-carved trumpet-playing angels on the façade announce its welcome presence in the middle of downtown and, although surmounted by a dome that appears to float over trompe l'oeil clouds (built in) a mixture of Beaux-Arts and Vienna Secessionist styles”.<br />
Built as a multi-purpose facility, the Hall is able to house symphony, ballet, opera, stage, musicals, and rock concerts and it is now the permanent home to the Fort Worth Symphony Orchestra, Texas Ballet Theater, Fort Worth Opera, and the Van Cliburn International Piano Competition and Cliburn Concerts. Performing Arts Fort Worth, which manages the Hall, also hosts its own performances here, including national touring Broadway productions and a fami
    _R6C2504-Edit.jpg
  • The Icelandic horse is a breed of horse developed in Iceland. Although the horses are small, at times pony-sized, most registries for the Icelandic refer to it as a horse. Icelandic horses are long-lived and hardy. In their native country they have few diseases; Icelandic law prevents horses from being imported into the country and exported animals are not allowed to return. The Icelandic displays two gaits in addition to the typical walk, trot, and canter/gallop commonly displayed by other breeds. The only breed of horse in Iceland, they are also popular internationally, and sizable populations exist in Europe and North America. The breed is still used for traditional sheepherding work in its native country, as well as for leisure, showing, and racing.<br />
<br />
Developed from ponies taken to Iceland by Norse settlers in the 9th and 10th centuries, the breed is mentioned in literature and historical records throughout Icelandic history; the first reference to a named horse appears in the 12th century. Horses were venerated in Norse mythology, a custom brought to Iceland by the country's earliest settlers. Selective breeding over the centuries has developed the breed into its current form. Natural selection has also played a role, as the harsh Icelandic climate eliminated many horses through cold and starvation. In the 1780s, much of the breed was wiped out in the aftermath of a volcanic eruption at Laki. The first breed society for the Icelandic horse was created in Iceland in 1904, and today the breed is represented by organizations in 19 different nations, organized under a parent association, the International Federation of Icelandic Horse Associations.
    IcelandHorses1.jpg
  • The Nancy Lee and Perry R. Bass Performance Hall in Fort Worth, Texas is located in downtown Fort Worth near Sundance Square, occupies a whole city block, and was opened in 1998. It was built entirely with private funds and seats 2,056 people in a city with an estimated 2009 population of 720,250. It is regarded as an important symbol of one of the most successful downtown revitalization efforts in the country. The European opera house-inspired limestone structure has been called the "crown jewel of downtown Fort Worth".<br />
It was designed by David M. Schwarz/Architectural Services, Inc. and is characteristic of the classic European opera house form. An 80-foot-diameter (24 m) Great Dome, artfully painted by Scott and Stuart Gentling, tops the Founders Concert Theater. Two 48-foot-tall (15 m) angels sculpted by Marton Varo from Texas limestone grace the Grand Façade. The Hall's acoustics were designed and implemented by JaffeHolden Acoustics, Inc. of Norwalk, CT.<br />
The Hall itself is renowned for its superb acoustics, exceptional sightlines and ambience on level with the great halls of the world. In fact, in an article by Daniel March in the March 1999 issue of Travel and Leisure magazine, it is described as “the newest star in the opera-house firmament…. Two giant, hand-carved trumpet-playing angels on the façade announce its welcome presence in the middle of downtown and, although surmounted by a dome that appears to float over trompe l'oeil clouds (built in) a mixture of Beaux-Arts and Vienna Secessionist styles”.<br />
Built as a multi-purpose facility, the Hall is able to house symphony, ballet, opera, stage, musicals, and rock concerts and it is now the permanent home to the Fort Worth Symphony Orchestra, Texas Ballet Theater, Fort Worth Opera, and the Van Cliburn International Piano Competition and Cliburn Concerts. Performing Arts Fort Worth, which manages the Hall, also hosts its own performances here, including national touring Broadway productions and a fami
    FortWorthAngels3.jpg
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