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PuebloPeakFlowers2.jpg
PuebloPeakFlowers2.jpg
PuebloPeakFlowers2.jpg
TaosPuebloCreek2.jpg
TaosPueblo6.jpg
SnakeCharmer1.jpg
PuebloPeakFlowers1.jpg
TaosPuebloChurch4.jpg
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TaosPueblo1.jpg
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TaosPueblo1.jpg
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StanleyParkTotems1.jpg
PuebloPeakFlowers2.jpg
TaosPuebloChurch4.jpg
PuebloPeakFlowers1.jpg
TaosPuebloCreek1.jpg
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AntelopeSandstonePatterns2.jpg
MonumentValleyStagecoach1.jpg
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MysteryValleyRock1.jpg
HuntsMesaPano1.jpg
MonumentValleyHuntsMesaDeadTree1.jpg
MonumentValleySandSprings1.jpg
SafdarjangTomb1.jpg
FatehpurSikri-Diwan-i-Khas5.jpg
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AntelopeAbstractCurve1.jpg
MonumentValleyMittens1.jpg
SpiderRockAndTree-LAB.jpg
HavasuCascades3.jpg
ValleyOfTheGods2.jpg
MonumentValleyFirstRays1.jpg
MonumentValleyTotemPoles2.jpg
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NankoweapRuins3.jpg
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HawaMahal1.jpg
FatehpurSikri10.jpg
MonumentValleyMittens1.jpg
MonumentValleyHuntsMesaFlowers1.jpg
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![Totem poles are monumental sculptures carved on poles, posts, or pillars with symbols or figures made from large trees, mostly western red cedar, by indigenous peoples of the Pacific Northwest coast of North America (northwestern United States and Canada's western province, British Columbia). The word totem derives from the Algonquian (most likely Ojibwe) word odoodem [oˈtuːtɛm], "his kinship group". The carvings may symbolize or commemorate cultural beliefs that recount familiar legends, clan lineages, or notable events. The poles may also serve as functional architectural features, welcome signs for village visitors, mortuary vessels for the remains of deceased ancestors, or as a means to publicly ridicule someone. Given the complexity and symbolic meanings of totem pole carvings, their placement and importance lies in the observer's knowledge and connection to the meanings of the figures.<br />
<br />
Totem pole carvings were likely preceded by a long history of decorative carving, with stylistic features borrowed from smaller prototypes. Eighteenth-century explorers documented the existence of decorated interior and exterior house posts prior to 1800; however, due to the lack of efficient carving tools, sufficient wealth, and leisure time to devote to the craft, the monumental poles placed in front of native homes along the Pacific Northwest coast probably did not appear in large numbers until the late eighteenth or early nineteenth century. Trade and settlement initially led to the growth of totem pole carving, but governmental policies and practices of acculturation and assimilation sharply reduced totem pole production by the end of nineteenth century. Renewed interest from tourists, collectors, and scholars in the 1880s and 1890s helped document and collect the remaining totem poles, but nearly all totem pole making had ceased by 1901. Twentieth-century revivals of the craft, additional research, and continued support from the public have helped establish new interes](https://ssl.c.photoshelter.com/img-get2/I0000RfVZTxYLbpM/fill=/fit=180x180/I0000RfVZTxYLbpM.jpg)
![Safdarjung's Tomb is a sandstone and marble mausoleum in New Delhi, India. It was built in 1754 in the late Mughal Empire style for the statesman Safdarjung, and was described as "the last flicker in the lamp of Mughal architecture".[1] The monument has an ambiance of spaciousness and an imposing presence with its domed and arched red brown and white coloured structures.[2] Safdarjung was made prime minister of the Mughal Empire (Wazir ul-Mamlak-i-Hindustan) when Ahmad Shah Bahadur ascended the throne in 1748.](https://ssl.c.photoshelter.com/img-get2/I00003PmmFQbJEdY/fill=/fit=180x180/I00003PmmFQbJEdY.jpg)
![Safdarjung's Tomb is a sandstone and marble mausoleum in New Delhi, India. It was built in 1754 in the late Mughal Empire style for the statesman Safdarjung, and was described as "the last flicker in the lamp of Mughal architecture".[1] The monument has an ambiance of spaciousness and an imposing presence with its domed and arched red brown and white coloured structures.[2] Safdarjung was made prime minister of the Mughal Empire (Wazir ul-Mamlak-i-Hindustan) when Ahmad Shah Bahadur ascended the throne in 1748.](https://ssl.c.photoshelter.com/img-get2/I0000sicbHvpeAOQ/fill=/fit=180x180/I0000sicbHvpeAOQ.jpg)
![Lodi Gardens is a park in Delhi, India. Spread over 90 acres, it contains, Mohammed Shah's Tomb, Sikander Lodi's Tomb, Sheesh Gumbad and Bara Gumbad, architectural works of the 15th century Sayyid and Lodhis, an Afghan dynasty, that ruled parts of northern India and Punjab and Khyber Pakhtunkhwa province of modern day Pakistan, from 1451 to 1526. The site is now protected by the Archeological Survey of India (ASI). The gardens are situated between Khan Market and Safdarjung's Tomb on Lodhi Road and is a hotspot for morning walks for the Delhiites.<br />
.....<br />
In the middle of the gardens is the Bara Gumbad ("Big Dome"), it consists of a large rubble-construct dome, it is not a tomb[citation needed] but a gateway to an attached a three domed masjid (mosque), both built in 1494 during the reign of Sikander Lodi, there is also a residence surrounding a central courtyard, where the remains of a water tank can be seen. Opposite the Bara Gumbad is the Sheesh Gumbad ("Glass dome") for the glazed tiles used in its construction, which contains the remains of an unknown family, this was also built during the reign of Sikander Lodi.](https://ssl.c.photoshelter.com/img-get2/I0000FYf3UhjkWzI/fill=/fit=180x180/I0000FYf3UhjkWzI.jpg)
